Rory is also Guest Interiors Lecturer at the prestigious KLC School of Interior Design in Chelsea, London. If he’s not uncovering an unusual National Trust property in the UK, then he’s seeking out a Neo-Classical clifftop villa in Capri or a Palazzo in Florence.īased in London’s Shoreditch, working as a Senior Interiors Editor and Consultant, Rory's portfolio of work is a creative melting pot of residential and commercial interior design projects and a plethora of editorial writing work. Specialising with a deep-seated appreciation for historical homes and interiors, Rory often travels far and wide to be inspired by unique properties with a fascinating history. Ted Brown: Artist of the Space Age 'There are few artists in the aerospace industry whose career was as varied or accomplished as Ted Brown ,' so reads his artist profile on the blog numbers station by Garrett O'Donoghue, based on work by Mike Acs. Rory's foray with the editorial world started a decade ago at Livingetc magazine, a title which he regularly contributes to today. With this inherited gene of creativity, Rory went on to study Interior Architecture at the University of Edinburgh, and later, Theatre Set Design and Architectural Illustration at The Rhode Island School of Design on America's East Coast. This was the era of Jocasta Innes and Kenneth Turner, when paint techniques and maximalist style were the decorating raison d'être. She then painstakingly gold leafed the drawing room - by hand - over a base coat of Sudbury Yellow. His first appreciation for interior decoration sparked when his mother hired scaffolding and decorated their three-storey Victorian staircase in Farrow & Ball Picture Gallery Red, by herself. Raised in Morningside, Edinburgh, Rory grew up surrounded by classically grand Scottish Georgian and Victorian architecture. Rory Alastair Robertson has a long-standing history working across the interiors industry. You can bring in other elements of practical wall, table, or floor lamps to support your lighting levels. And that’s what this new wave of chandeliers all seem to embody - a sense of being as much about sculpture as they are about being a practical source of light. “they shouldn’t be the main light source”, she warns. “Chandeliers should be like a jewel in the crown of your home” says Linda Boronkay, but, and it’s an important ‘but’. These chandeliers are new, modern, seriously chic, and serve contemporary glamour in spades!

Banish the traditional curves, twists, and century-old details. Yes, those kinds of chandeliers do exist for those that feel that way inclined, but there’s now - very much - a new take on chandeliers hitting our living room lighting ideas moodboards. All fine and totally acceptable applications of a chandelier by the way.īut stop.

Wearing my clothes is a question of spirit.” Courrèges translated the 60s space-craze into clothing, and when at last in 1969, man landed on the moon, Courrèges celebrated with a range of mirror-disc stamped overalls, created in the White Salon at his Avenue Kléber studio.Some might associate the word ‘chandelier’ with a visual of glitzy glass pendant drops hanging from an overtly decorative iron or brass curving arm (in a shabby chic chateau, perhaps?), others might visualize a boudoir bedroom with over-the-top and slightly ‘l’amour’ decor.

“I believe one can make women happier by bringing both more white and more colour into their lives,” Courrèges preached. His technical garments pioneered a new look that blended avant-garde geometry with sport classics, driven by the youthful energy that defined the decade, and are celebrated in a new book by Emmanuelle Dirix and Charlotte Fiell, considering fashion in the 70s. The French designer André Courrèges is best known for introducing the revolutionary Space Look – an intergalactic breed of dressing, featuring white boots, goggles and boxy dresses, designed in futuristic metallic shades, high-shine fabrics and PVC. Trends in the 1960s can be credited to a few sartorial pioneers: Mary Quant invented the mini-skirt, Jackie Kennedy popularised the pillbox hat, Yves Saint Laurent created the Le Smoking tuxedo.

Space age art